BIRD Current Research Projects

Overview

The building blocks of prosthetics come in many materials, shapes, and sizes. To create lightweight yet sturdy prosthetics, we explore 3D printing in plastic, carbon fiber, steel, and titanium. In addition, we investigate different methods of actuation such as miniature 3D printed gearboxes for fingers and twisted coil polymers. While some of these parts may look like something out of Star Wars, these are more than just computer-generated images. These prosthetics are real and they work for real people.  

The Morris Gallery

Date: 8/22/16
The Morris Gallery photograph of architectural model
Student Researchers: Robert Chesnovar Faculty Advisor: Will Koning 

This gallery building was designed to house the work of sculptor Robert Morris, one of the central figures in Minimalism. His sculptures — often composed of repeated geometric forms — force viewers to consider composition and scale as they move around the work. Morris’ ideas were incorporated into the design of this gallery. Pure forms, rhythm, repetition, and scale impact visitors’ interaction with their spacial environment from the moment they enter the site.

The building consists of a gridded set of masses reflecting the modularity and order of the site’s context. These masses are staggered, and direct lines of circulation are broken. This creates a sense of wonderment and discovery as the user moves through the galleries. A mass is added to enclose the circulation space. In return, this becomes an interface between the city and the galleries. 

The galleries and circulation space are elevated, allowing the two main access points of the site to connect. It also enables the ground level to be used as a public space. Outdoor galleries are dropped into the public space, relaying the concept of art as a gift to the public. Voids are carved into the building’s upper levels, which results in visual connections through all levels — from ground plane to the galleries above.

BIRD Past Research Projects

The Morris Gallery

Date: 8/22/16
The Morris Gallery photograph of architectural model
Student Researchers: Robert Chesnovar Faculty Advisor: Will Koning 

This gallery building was designed to house the work of sculptor Robert Morris, one of the central figures in Minimalism. His sculptures — often composed of repeated geometric forms — force viewers to consider composition and scale as they move around the work. Morris’ ideas were incorporated into the design of this gallery. Pure forms, rhythm, repetition, and scale impact visitors’ interaction with their spacial environment from the moment they enter the site.

The building consists of a gridded set of masses reflecting the modularity and order of the site’s context. These masses are staggered, and direct lines of circulation are broken. This creates a sense of wonderment and discovery as the user moves through the galleries. A mass is added to enclose the circulation space. In return, this becomes an interface between the city and the galleries. 

The galleries and circulation space are elevated, allowing the two main access points of the site to connect. It also enables the ground level to be used as a public space. Outdoor galleries are dropped into the public space, relaying the concept of art as a gift to the public. Voids are carved into the building’s upper levels, which results in visual connections through all levels — from ground plane to the galleries above.